海南师范大学学报(社会科学版)

在女性主义已经成为一种普遍的、内在的认识世界的角度和方法之后,今天我们的任务不再是一再揭示男权的存在,而是去发现男权的新的表现形态、编码系统及其借助政治、经济力量自我彰显的路径。从1990年代的《阿甘正传》到当下影视作品,如《星际穿越》、《归来》、《爸爸去哪儿》等,都在重新呼唤父亲的回归,重新赋予父亲以权威。这一次父权的归来是借助着大数据时代的科技力量,以示弱的方式,承袭着爱这类元话语来完成的。因此,它更具有隐蔽性。

After feminism has become a universal and intrinsic point of view and way to understand the world,our task nowadays is no longer to reveal the existence of patriarchy time and again but to discover new representation forms and encoding system for patriarchy as well as the means to its self-manifestation in virtue of political and economic power. Movies like Forrest Gump in the 1990 s and those of today such as Interstellar,Return and Where is Father,etc. have called for the return of the father and have striven to entrust authority to the father. As the return of patriarchy this time is realized through the meta- discourse of love in a style of weakness by means of the power of science and technology in the big data era,it is thus much elusive.