海南师范大学学报(社会科学版)

20世纪中国文学的线索还远没有清理明白。仔细梳理这 10 0年发生过的各种文学形态 ,比如对 30年代左翼文学、京派文学、海派文学这三种文学作一合论 ,会有助于在一个文学共同体内认识它们的对峙和互相穿透性。左翼文学是现代政治社会的产物 ,可由此寻觅百年来一切斗争的人们的精神解放、精神困境及其拯救的历程。京派的背景是“北平”文化社会 ,反映乡村中国在现代化冲击下保持自重并不断发生反观现代人性缺失的深长忧虑。海派自然来自于现代商业社会 ,表达新市民遭受物质文明正反两方面压迫的情景。而在表达民族国家理想、人民意识、社会批判精神方面 ,三种文学形态是贯通的。在与现实主义和现代主义的复杂纠葛中 ,它们所获现代品格的重要方面是手执先锋性和大众性两端 ,既占据现代文明植根之地 ,又留心不被本土封建保守主义所腐蚀

The Chinese literature of the 20th century has not been clearly threaded,thus an elaborate classification and analysis of the various literary models over the past one hundred years such as a comprehensive comment on the literature of Left_wing,Beijing school and Shanghai school will help understand their confrontation and mutual impact within a common literary framework. The Left_wing literature is the product of modern political society whereby one can trace the spiritual emancipation,dilemma and salvation of people over the past 100 years. The Beijing School literature,set in the cultural milieu of “Beijing”,vividly pictures how the rural areas in China have preserved their dignity under the impact of modernness. The Shanghai School literature,a natural outgrowth of the modern commercial society,reflects the oppression inflicted upon urban citizens by the material civilization. Despite their divergences,the three literary models are interlinked in terms of expressing the national mentality,the people's consciousness and social criticism. More importantly,in their process of development,the three literary models have,on the one hand,preserved the pioneering spirit,and on the other hand, maintained their universality.